That Saint Frances plays out both of these storylines concurrently without conflating the two (spoiler: Frances doesn't suddenly regret having an abortion after she bonds with Bridget) feels quietly revelatory – and the film has a similarly straight-up approach to its depictions of post-natal depression, motherhood in same-sex relationships, breastfeeding, and periods. Meanwhile, she finds out that she's pregnant by her sort-of-boyfriend Jace (Max Lipchitz) and decides to have an abortion, facing the physical and emotional aftermath of the procedure. She plays Bridget, a New Yorker who becomes nanny to mischievous six-year-old Frances (Ramona Edith Williams) – even though she doesn't really like kids. Kelly O'Sullivan confirms herself as a witty and honest new filmmaking voice as the writer and star of Saint Frances – a film that pushes the 30-something-woman-wonders-what-to-do-with-her-life American indie drama into refreshing territory rarely explored on screen.
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